“Harmony in Blue and White” and “A Great Unlearning” in Wild Gods: The Ecstatic in Contemporary Poetry and Prose from New Rivers Press, forthcoming
“Pianist and Still Life, 1924, Henri Matisse” in Prose Poetry: An Introduction from Princeton University Press, forthcoming
Excerpt from Our Edges Away with Rebecca Hart Olander, Tiny Spoon, July, 2021
Collage/poem collaboration with Rebecca Hart Olander, Aperçus Literary Magazine, March, 2020
“Lovers in Paris,” Put into Words, My Love, A Petite Pomme by Pomme Journal, January, 2020
“After A Midsummer Night’s Dream, Marc Chagall,” deLuge Journal, December 2019
“Within my Garden,” Collage, We Talked With Each Other About Each Other: Art Inspired by Emily Dickinson’s Poetry from Alexandria Quarterly, December, 2019
Selection from How the Letters Invent Us, a collaborative manuscript written with Rebecca Hart Olander, The Adirondack Review, September, 2019
“Where What Hovers is Possibility,” virtual exhibit of collage/poem collaboration with Rebecca Hart Olander, Diaphanous, August 23, 2019
“The Swimmers,” CutBank Online, July 30, 2019
“A Meeting of Travelers” and “The Garden of Heroic Love,” metafore, June, 2019
“Yevgenia Antonovna,” The Briar Cliff Review, May, 2019
“Creative Correspondence on Text and Image,” collage and guest blog post written with Rebecca Hart Olander, See Double Press, April, 2019
“For the Escape and the Bonding,” Parks and Points, April, 2019
“The Ones Who Belong Outside,” The Inflectionist Review, April, 2019
Collage/poem collaboration with Rebecca Hart Olander, Les Femmes Folles, February, 2019
Collage Series in collaboration with Rebecca Hart Olander, The Indianapolis Review, January, 2019
“Time is a River without Banks,” Sweet Lit, January, 2019
“Arslanbob,” “Harmony in Blue and White,” “Recomposition,” “A Great Unlearning” poems and photograph, Entropy, January 27, 2019
“Are the Honey Days,” a selection from a text-and-image collaborative manuscript created with Rebecca Hart Olander, Petrichor, January, 2019
“An Impressionist Scene,” Construction Magazine, October, 2018
“Aperture,” “Help Yourself,” “The House of Happiness,” poems and photographs, Wanderlust Journal, September, 2018
“Paris through the Window,” The Ekphrastic Review, August 31, 2018
Selections from How the Letters Invent Us, a collaborative manuscript written with Rebecca Hart Olander, featured in They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing, from Black Lawrence Press, August 2018
Selections from How the Letters Invent Us, a collaborative manuscript, Duende, August, 2018
“Behold the Beauty of Effort,” Unbroken Journal, July, 2018
“Harmony in Red,” Verse Daily, April 15, 2018
“What Is to Be Done With Beauty?” Cider Press Review, October, 2017
“Crossing Isanova Street,” The Indianapolis Review, July, 2017
“May 24, 2007,” Past Ten, May, 2017
“Marshrutka,” The Carolina Quarterly, Spring/Summer, 2017
“Blockade,” The Wild Word, April, 2017; Also featured in Poetry: A Wild Word Anthology
“The Red Vineyard, Vincent Van Gogh” and “Double Portrait with a Glass of Wine, Marc Chagall,” Ekphrasis, Vol. 7, No. 5: Spring/Summer, 2017
“Seeing in Embraces,” Assay Journal 3.1, September, 2016
“All My Days Would be Skyward,” Cold Mountain Review, Fall, 2015
“Peaches,” River Teeth Journal, June, 2014
“Turning Life Into Art: Review of Adam Patric Miller’s A Greater Monster,” Weave Magazine, June, 2014
“Illuminating Wonders: Review of Amy Leach’s Things That Are,” Weave Magazine, May, 2014
“Return of the Peace Corps Volunteer,” Writing from the Inside Out, 2013
