“Are the Honey Days,” a selection from a text-and-image collaborative manuscript created with Rebecca Hart Olander, Petrichor, forthcoming

“Time is a River without Banks,” Sweet: A Literary Confection, forthcoming

“The Ones Who Belong Outside,” The Inflectionist Review, forthcoming

An Impressionist Scene,” Construction Magazine, October, 2018

“Aperture,” “Help Yourself,” “The House of Happiness,” poems and photographs, Wanderlust Journal, September, 2018

Paris through the Window,” The Ekphrastic Review, August 31, 2018

Selections from How the Letters Invent Us, a collaborative manuscript written with Rebecca Hart Olander, featured in They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing, from Black Lawrence Press, August 2018

Selections from How the Letters Invent Usa collaborative manuscript, Duende, August, 2018

Behold the Beauty of Effort,” Unbroken Journal, July, 2018

Harmony in Red,” Verse Daily, April 15, 2018

What Is to Be Done With Beauty?Cider Press Review, October, 2017

Crossing Isanova Street,” The Indianapolis Review, July, 2017

May 24, 2007,” Past Ten, May, 2017

Marshrutka,” The Carolina Quarterly, Spring/Summer, 2017

Blockade,” The Wild Word, April, 2017; Also featured in Poetry: A Wild Word Anthology

The Red Vineyard, Vincent Van Gogh” and “Double Portrait with a Glass of Wine, Marc Chagall,” Ekphrasis, Vol. 7, No. 5: Spring/Summer, 2017

Seeing in Embraces,” Assay Journal 3.1, September, 2016

“All My Days Would be Skyward,” Cold Mountain Review, Fall, 2015

Peaches,” River Teeth Journal, June, 2014

Turning Life Into Art: Review of Adam Patric Miller’s A Greater Monster,” Weave Magazine, June, 2014

Illuminating Wonders: Review of Amy Leach’s Things That Are,” Weave Magazine, May, 2014

“Return of the Peace Corps Volunteer,” Writing from the Inside Out, 2013