“Are the Honey Days,” a selection from a text-and-image collaborative manuscript created with Rebecca Hart Olander, Petrichor, forthcoming
“Time is a River without Banks,” Sweet: A Literary Confection, forthcoming
“The Ones Who Belong Outside,” The Inflectionist Review, forthcoming
“An Impressionist Scene,” Construction Magazine, October, 2018
“Aperture,” “Help Yourself,” “The House of Happiness,” poems and photographs, Wanderlust Journal, September, 2018
“Paris through the Window,” The Ekphrastic Review, August 31, 2018
Selections from How the Letters Invent Us, a collaborative manuscript written with Rebecca Hart Olander, featured in They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing, from Black Lawrence Press, August 2018
Selections from How the Letters Invent Us, a collaborative manuscript, Duende, August, 2018
“Behold the Beauty of Effort,” Unbroken Journal, July, 2018
“Harmony in Red,” Verse Daily, April 15, 2018
“What Is to Be Done With Beauty?” Cider Press Review, October, 2017
“Crossing Isanova Street,” The Indianapolis Review, July, 2017
“May 24, 2007,” Past Ten, May, 2017
“Marshrutka,” The Carolina Quarterly, Spring/Summer, 2017
“Blockade,” The Wild Word, April, 2017; Also featured in Poetry: A Wild Word Anthology
“The Red Vineyard, Vincent Van Gogh” and “Double Portrait with a Glass of Wine, Marc Chagall,” Ekphrasis, Vol. 7, No. 5: Spring/Summer, 2017
“Seeing in Embraces,” Assay Journal 3.1, September, 2016
“All My Days Would be Skyward,” Cold Mountain Review, Fall, 2015
“Peaches,” River Teeth Journal, June, 2014
“Turning Life Into Art: Review of Adam Patric Miller’s A Greater Monster,” Weave Magazine, June, 2014
“Illuminating Wonders: Review of Amy Leach’s Things That Are,” Weave Magazine, May, 2014
“Return of the Peace Corps Volunteer,” Writing from the Inside Out, 2013
